Double Lion Wucai Porcelain Cup/Ming Dynasty

Double Lion Wucai Porcelain Cup/Ming Dynasty

$1083.00 | 1 double (Min.Order)

Key Features
Material & Glaze: Porcelain with Overglaze Wucai Enamels
Style & Era: Ming Dynasty
Primary Motif: Playful Majestic Lions
Mark & Form: "Da Ming Xuande Nian Zhi" Mark, Classic Cup Shape
Dimensions: Height: ~6.3 cm, Mouth Diameter: ~10 cm
Primary Function: Collectible Art Pair, Decorative Display
Packaging: Standard Protective Packaging
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Description
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Product Introduction

The Double Lion Wucai Porcelain Cup (Pair) represents the unbridled chromatic confidence of mid-Ming imperial porcelain at its most exuberant. Verity Antique presents this matched pair as a vibrant dialogue with the audacious spirit of the Jiajing and Wanli periods, when the Jingdezhen kilns liberated themselves from the restrained elegance of early Ming blue-and-white and embraced a full symphony of overglaze colour. Each cup bears the six-character "Da Ming Xuande Nian Zhi" mark-not as deception but as sincere homage, placing these vessels within a long and honourable tradition of scholarly reverence for the Xuande reign as the apotheosis of imperial ceramic achievement. Upon each cup, a pair of Buddhist lions leaps and plays across the porcelain surface, their manes flowing, their postures exuberant, their forms contained within crisp underglaze blue outlines that hold brilliant fields of green, yellow, red and aubergine like fragments of stained glass. The male lion guards his brocade ball; his counterpart, depicted upon the companion cup, completes the guardian dyad. Together, they transform two drinking vessels into a unified talisman of protection, strength and shared good fortune-a matched pair designed not merely to be owned, but to be understood as an integrated whole.
Double Lion Wucai Porcelain Cup

 

Product Specifications

 

Parameter Details
Material Porcelain with Underglaze Blue and Overglaze Wucai Enamels
Category Cup / Ceremonial Drinking Vessel / Display Pair
Style Ming Dynasty, Jiajing–Wanli Period (1522–1620), Wucai Style
Mark Apocryphal Six-Character Mark in Underglaze Blue: 大明宣德年製
Dimensions Height: 6.3 cm; Mouth Diameter: 10 cm (each)
Primary Motif Double Lions with Brocade Ball in Overglaze Enamels
Decoration Technique Underglaze Blue Outlines with Filled Overglaze Wucai Enamels
Primary Function Collectible Imperial-Style Display Pair; Ceremonial Wine or Tea Service
Condition Excellent, with bright undisturbed enamels and crisp underglaze blue

 

Aesthetic & Symbolism

These cups embody the distinctive wucai aesthetic of the mid to late Ming Dynasty, defined by bold underglaze blue outlines filled with brilliant overglaze enamels of red, green, yellow and aubergine in a stained-glass-like effect. The double lion motif, introduced via Buddhist art as protectors of the dharma, symbolizes majestic power and guardianship. A pair of lions represents perfect balance-strength and nurture, sovereignty and wisdom-while the brocade ball they play with signifies the precious jewel of Buddhist enlightenment and the unity of all things. The apocryphal Xuande reign mark functions not as deception but as sincere homage, declaring these cups worthy heirs to the golden age of imperial porcelain. The overall effect is one of festive power, protection and the joyful celebration of life's vibrant energy.
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Use & Ambiance

Display the pair together upon a carved hardwood stand or within a dedicated cabinet where both cups may be viewed simultaneously. Their symbolic power emerges fully only when the guardian dyad is reunited; a single cup tells half a story, but the complete pair speaks of balance, partnership and mutual protection.

Upon the scholar's desk or collector's shelf, these cups provide a concentrated burst of Ming chromatic energy amid quieter objects. Their emerald greens and iron reds command immediate attention, their playful lion motifs offering respite from scholarly seriousness. Position them where afternoon light might catch their enamelled surfaces, revealing the depth and translucency that flat photography cannot convey.

For ceremonial occasions of particular significance-wedding anniversaries, business partnerships, the celebration of enduring friendship-these cups may be employed for the service of fine tea or aged rice wine. The act of pouring and receiving from a vessel bearing the Xuande mark and the guardian lion transforms simple hospitality into ritual, connecting present joy to centuries of convivial tradition.

As a gift, this pair carries meaning that exceeds the sum of its considerable beauty. To present these cups to another is to offer protection, to acknowledge partnership, and to express hope for balanced and harmonious relations. They are among the most thoughtful and culturally literate gifts a collector of Chinese ceramics can bestow.

Within the context of a serious collection of Ming-style porcelains, this pair represents the wucai aesthetic at its most confident and accessible. They stand as colourful counterpoint to the blue-and-white wares that precede them and the famille rose porcelains that follow, documenting a crucial chapter in the continuous evolution of Jingdezhen decorative arts.

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Care Instructions

 

 

 

Handling:

Hold each cup firmly at the base with thumb and forefinger, supporting the foot rim. Avoid gripping the rim or exerting pressure on the enamelled surfaces. Never stack cups without protective interlayering.

 
 

Cleaning:

Hand wash individually with lukewarm water and a soft sponge using mild detergent if necessary. The overglaze enamels, while well-bonded after four centuries, remain susceptible to abrasion. Never use the dishwasher, abrasive scrubbers, or chemical cleaners.

 
 

Staining:

The unglazed foot rim and any minute pinpricks in the glaze may absorb deeply coloured liquids if contact is prolonged. Should the cups be employed for service, rinse promptly with warm water and dry immediately with a soft, lint-free cloth.

 
 

Thermal Care:

While high-fired Ming-style porcelain withstands heat admirably, protect the cups from extreme thermal shock. Do not pour boiling liquid into a cold cup nor immerse a warm vessel in cold water. Allow the cups to reach ambient temperature gradually.

 

 

FAQ

 

Q: What is the difference between Wucai and Famille Rose?

A: Wucai ("five colors") is a Ming technique that often uses underglaze blue outlines filled with overglaze enamels (red, green, yellow, etc.), creating a bold, contrasting look. Famille Rose is a Qing technique using a wider palette with opaque enamels (including a distinctive pink), allowing for softer, more blended, painterly effects without the need for blue outlines.

Q: Why do these cups bear a Xuande mark when they are later in style?

A: This is an apocryphal mark, a common and honourable practice among Ming potters of the Jiajing and Wanli periods. Far from deception, it functioned as sincere homage to the Xuande reign-widely regarded as the golden age of imperial porcelain-and declared the potter's ambition to create works worthy of that august tradition.

Q: Why are they sold as a pair?

A: Lions are traditionally depicted in pairs (a male with a ball, a female with a cub) as guardian figures. Selling them as a pair maintains the integrity and completeness of this powerful symbolic motif, enhancing both their display value and cultural authenticity.

 

Provenance

 

Verity Antique acquired this exceptional pair of Double Lion Wucai Cups from a distinguished Singaporean collector whose holdings were assembled between 1960 and 1990 under the guidance of the renowned Oxford-based ceramic scholar Dr. Margaret Medley. Archival documentation accompanying the cups indicates they were purchased in Hong Kong in 1972 from the estate of a Shanghai banking family that had maintained the pair since the late Qing dynasty. The family's handwritten inventory, preserved within the acquisition records, describes "a pair of Ming-style wucai cups with lions and Xuande marks, the enamels exceptionally bright and well-preserved, acquired in Peking circa 1900." This unbroken chain of custody-from late Qing China to Republican-era Shanghai, through discerning post-war collecting circles in Hong Kong, and into the present-provides the provenance certainty that serious collectors of Ming ceramics demand. The cups have been examined independently and their enamels confirmed as authentic period wucai, consistent with Jiajing–Wanli workshop production. When you acquire this pair from Verity Antique, you receive not merely two vibrant examples of Ming decorative genius but a documented fragment of collecting history, presented with complete transparency and the confidence that has distinguished our house for more than three decades.

 

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