Qing Guangxu blue and white landscape plate/Qing Dynasty

Qing Guangxu blue and white landscape plate/Qing Dynasty

$1900.00 | 1 pkg. (Min.Order)

Key Features
Era & Style:Mid-to-Late Qing Dynasty Folk Kiln Blue-and-White Ware
Dimensions & Weight:Diameter: 21 cm, Weight: ~800 g
Primary Motif:Pavilion Landscape with Willows, Mountains, Lake & Solitary Boat
Painting Technique:Fenshui (Water-Division) Cobalt Gradation for Atmospheric Depth
Border Decoration:Patterned Kaiguang (Reserved Panel) Border with Floral & Geometric Motifs
Condition:Flawless, Undamaged Glaze, Excellent Preservation
Primary Function:Decorative Serving Piece, Collectible Display, Scholar's Taste
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Description
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Product Introduction

Verity Antique presents the Qing Guangxu Blue and White Landscape Plate, a window into the tranquil world of late Qing literati taste. This is not merely a plate; it is a painted poem in cobalt, a circular horizon that holds an entire landscape within its rim. The wide, shallow form invites the eye to wander across a serene lake, past a thatched pavilion and weeping willows, towards layered, misty mountains. Every brushstroke, from the bold outlines of the rocks to the delicate wash of the distant hills, speaks of the artisan's confidence and the enduring appeal of the scholar's retreat ideal. It is a piece that bridges the practical and the poetic, capable of serving a festive meal or serving as a focal point for quiet contemplation, bringing a breath of scholarly elegance to the modern table or display cabinet.
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Product Specifications

 

Parameter Details
Material Porcelain with underglaze cobalt blue
Category Plate / Charger / Display Platter
Style Mid-to-Late Qing Dynasty (Guangxu Period, 1875-1908), Folk Kiln
Dimensions Height: approx. 3 cm; Mouth Diameter: 21 cm; Base Diameter: 11 cm
Weight Approx. 800 g
Primary Technique Fenshui (water-division) blue-and-white painting
Primary Motif Jiangnan landscape with pavilions, willows, boat, and distant mountains
Border Decoration Patterned kaiguang border with alternating floral and geometric motifs
Original Function Serving platter / Household tableware
Primary Function Now Decorative art piece / Serving platter / Collectible
Condition Excellent, flawless undamaged glaze with no restoration

 

Aesthetic & Symbolism

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This plate is a beautiful synthesis of Chinese scholarly painting traditions and ceramic craft. The landscape motif is deeply rooted in the literati ideal of shanshui (mountain-water), representing a spiritual escape from worldly affairs into the harmonious embrace of nature. Each element carries symbolic meaning: a pavilion suggests a place of scholarly gathering and poetic inspiration; willow trees evoke parting, grace, and the arrival of spring; a solitary boat symbolizes the individual's journey through life or a recluse's simple, virtuous existence; distant mountains represent the infinite and the unattainable ideal toward which the scholar aspires. The use of the fenshui technique is critical to the plate's aesthetic impact-it allows for "one brush with five shades," creating atmospheric perspective where the foreground is rendered in deep, detailed blue while the background fades into a soft, misty pale blue that recedes into imagined distance. The border decoration, with its structured kaiguang panels and repeating floral patterns, thoughtfully frames this natural scene with man-made order, creating a classic tension in Chinese design between the free, organic landscape and the disciplined, rhythmic frame. The presence of such a refined landscape on a functional plate indicates the permeation of scholarly aesthetics into the material lives of the broader Qing merchant and middle classes, who sought to surround themselves with objects that reflected cultivated taste.

 

Use & Ambiance

As a statement serving piece, its substantial 21cm diameter and 800g weight make it a impressive charger perfect for presenting a whole fish, a festive roast, or an artful array of appetizers, transforming any meal into a work of art that engages both palate and eye. For creating a focal point of display, when not in use for serving, position it on a plate stand on a sideboard, buffet, or mantelpiece, where its expansive landscape acts as a circular "painting" that reveals new details and perspectives as one moves around it. In creating a scholar's table atmosphere, this plate is ideal for a study, tea room, or dining room with a traditional or eclectic aesthetic, adding a layer of cultural depth and quiet elegance that encourages diners to pause between courses and appreciate its serene beauty. For the serious collector, this piece serves as a benchmark example of Qing folk blue-and-white, demonstrating the successful application of refined literati painting techniques to a commercial, export-oriented product and representing a key chapter in the evolving story of Chinese ceramic art.

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Care Instructions

 

 

 

Ultra-Gentle Handling:

Due to the delicate overglaze enamels and the angular form (edges can be more vulnerable), handle only when necessary, using both hands to firmly support the base.

 
 

Cleaning Protocol:

Dust only with a soft, dry brush. The overglaze enamels are extremely susceptible to damage from moisture and abrasion. Never use water, cloths, or any cleaning solutions.

 
 

Display Environment:

Keep in a stable, dry environment away from direct sunlight. A sealed, museum-grade display case is not a recommendation but a requirement for its long-term preservation.

 
 

Preservation:

This is a non-utilitarian imperial art object of the highest order. It must never, under any circumstances, come into contact with water or be used as a functional vessel. Its supreme value and historical integrity are maintained solely through reverent preservation as a masterpiece of Qing court art.

 

 

FAQ

 

Q: Is this plate genuinely from the Guangxu period?

A: Yes, this plate is authentic to the late Qing dynasty, specifically the Guangxu era (1875-1908) or slightly earlier. Its cobalt tone, fenshui technique, border pattern, and subject matter are all consistent with documented mid-to-late Qing folk kiln production from the Jiangnan region.

Q: What does fenshui mean?

A: Fenshui (分水, "water-division") is a specialized blue-and-white painting technique where the artist uses various dilutions of cobalt oxide in water, applying them to the absorbent, unfired clay body. This controlled technique allows for seamless gradations from deep, intense blue to the palest translucent wash, creating the illusion of three-dimensional form and atmospheric perspective that mimics ink painting on paper.

Q: What is the source of this plate?

A: This plate was acquired from a long-established English collection of Chinese export porcelain formed primarily during the 1970s and 1980s, with documented provenance available for serious examination.

 

Provenance

Verity Antique is dedicated to sourcing objects that are not only authentic artifacts but also enduring works of art. This Qing Guangxu Blue and White Landscape Plate was selected by our principal for its perfect synthesis of scholarly subject matter and masterful ceramic technique-a moment when the refined ideals of the literati studio were translated onto a functional, beautiful object for a wider world. Acquired from a long-established English collection of Chinese export porcelain formed primarily during the 1970s and 1980s, this plate represents our commitment to seeking out pieces that offer a dual life: as practical tools for gracious living and as touchstones for cultural reflection. When you choose Verity Antique, you choose to own a piece of this poetic heritage-a plate that carries the serenity of a Jiangnan garden to your table, enriching daily rituals with history and beauty. We provide the scholarship, the provenance, and the absolute confidence that permits you to display and use this work as a testament to late Qing craftsmanship and to your own discerning appreciation. Our commitment is to bring you curated artifacts that are as meaningful as they are magnificent.

 

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